Cynthia's assistant,
Christopher Donovan, ate at Manresa Restaurant for the first time last
night. Here are his thoughts about the
experience.
From the moment a patron enters Manresa
s/he is 'held'—like the way a newborn
baby is held. The analogy holds, because
to enter Manresa is to enter a land
where every detail has been designed with the goal of providing an exquisitely
soothing atmosphere wherein to enjoy exquisitely crafted food. One enters, as it were, David Kinch-Land, and
for every detail of refinement noticed, a hundred or more pass unnoticed,
working even more subtly to support the various aspects of his art.
Like the meal itself, entering Manresa
involves a series of subtle shifts. Utter absence of pretension describes the door, and you are greeted in a
soothing hallway. Your coat is stowed
for you in the highly functional wooden paneled cupboards. You enter the dining room proper — though you
do not realize it except upon reflection — at the very middle of the room. So
there is no awkward moment where the entire assemblage looks up with impatience
at an outer door letting in a blast of cold air and a 'new' customer; by the time a patron enters the Manresa
dining room, there can be no awkwardness, since her entry point is the very
center of the restaurant.
The Chef's Grand Tasting Menu is the choice for those with
the leisure to enjoy a selection of dishes Chef Kinch feels like conjuring up
on any given night. We were graced with
seven amuses – tiny, savory treats that are so tasty you literally cannot help
but want more . . . much more! But then
that is me wanting to 'super-size' everything. It is antithetical to the agenda, which is more akin to prolonging
pleasure than drowning in it.
In considering how I could possibly do justice to the
experience of any one dish, or (heaven forbid) the totality of dishes which
delighted me, I realize I cannot. How does one describe sex in words? Arpege farm egg (soft boiled, with sherry
vinegar, cream, maple syrup and chives). A sunset in braille? Blood orange sangria, with Cointreau and
carrot. To the person who has had the
experience, the words may evoke a memory, may seem accurate in their own
way. But to one who has not eaten Manresa
fare, no words can remotely describe the experience. We had, as I said, seven amuses. These were paired with appropriate
wines. Then followed eight courses, and
four exquisite desserts. Since I cannot
describe it in words (and I decline to use the cliches), you simply must eat
there.
Manresa is a temple to quality. Not the appearance of quality as described by
external features, or quality as it is commonly understood—but quality as
functionality: what tastes the best? What
smells the best? What has the most
life? I know this to be so because I
help Cynthia grow the vegetables that supply the restaurant, and I appreciate
the wisdom that underlies and overshadows biodynamics. The rest of it that I don't know or
understand (which is most of it), I take on faith. Because I know the chef. In the garden, his favorite question is, "how
does it taste?" His favorite statement: "Here—taste this!"
We live, for the most part, in a culture fascinated with
veneer thin appearances, where quality may be entirely absent so long as a
thing looks like the thing it is a simulacrum of. And yet quality has a power that is
undeniable. We cannot gainsay it. Witness Manresa; you simply must eat there!